"The Way Young Lovers Do" is the most fully formed tune here. It it isn't a rock & roll album at all. He confesses as much in the title track: "If I ventured in the slipstream/Between the viaducts of your dream/Where immobile steel rims crack/And the ditch in the back roads stop/ Could you find me?/Would you kiss-a my eyes/...To be born again...." Morrison doesn't reach out to the listener, but goes deep inside himself to excavate and explore. It it isn't a rock & roll album at all. ‘. "astral weeks" is the second solo album by Northern Irish singer-songwriter Van Morrison, released in November 1968 on Warner Bros. Records. Astral Weeks is the second studio album by Northern Irish singer-songwriter Van Morrison.It was recorded at Century Sound Studios in New York during September and October 1968, and released in November of the same year by Warner Bros. Records.. Your email address will not be published. William Ruhlmann: ‘Van Morrison – Astral Weeks is generally considered one of the best albums in pop music history. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Copyright 2015 By MarsTheme All rights reserved. Its swinging jazz verses and tight rhythmic choruses underscore a simmering, passionate eroticism in Morrison's lyric and delivery. Astral Weeks is a justified entry in pop music's pantheon. Van Morrison – Astral Weeks Tracklist. If you continue to use this site we will assume that you are happy with it. Employing a mixture of folk, blues, jazz, and classical music, Van Morrison spins out a series of extended ruminations on his Belfast upbringing, including the remarkable character “Madame George” and the climactic epiphany experienced on “Cyprus Avenue.” Accompanying himself on acoustic guitar, Morrison sings in his elastic, bluesy voice, accompanied by a jazz rhythm section (Jay Berliner, guitar, Richard Davis, bass, Connie Kay, drums), plus reeds (John Payne) and vibes (Warren Smith, Jr.), with a string quartet overdubbed. They are, for the most part, extended, incantatory, loosely narrative, and poetic ruminations on his Belfast upbringing: its characters, shops, streets, alleys, and sidewalks, all framed by the innocence and passage of that era. The climactic epiphany experienced on "Cyprus Avenue" paints a portrait of place and time so vividly, it fools listeners into the experience of shared -- but mythical -- memory. Morrison seems hypnotized by his subjects; they comfort and haunt a present filled with inexhaustible longing and loneliness. For all that renown, Astral Weeks is anything but an archetypal rock & roll album: in fact, it isn’t a rock & roll album at all. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. The album's centerpiece is "Madame George," a stream-of-consciousness narrative of personal psychological and spiritual archetypes deeply influenced by the road novels of Jack Kerouac. Astral Weeks is often referred to as a song cycle or concept album with lyrics described as impressionistic, hypnotic, and stream-of-consciousness. Unlike any record before or since, it nevertheless encompasses the passion and tenderness that have always mixed in the best postwar popular music, easily justifying the critics’ raves. It is unlike any record before or since; it mixes together the very best of postwar popular music in an emotional outpouring cast in delicate, subtle musical structures. Van Morrison – Astral Weeks is the second solo album by Northern Irish singer-songwriter Van Morrison, released in November 1968 on Warner Bros. Records. "astral weeks" is the second solo album by Northern Irish singer-songwriter Van Morrison, released in November 1968 on Warner Bros. Records. Producer Lewis Merenstein added chamber orchestrations later and divided the album into halves: "In The Beginning" and "Afterwards" with four tunes under each heading. An emotional outpouring cast in delicate musical structures, Van Morrison – Astral Weeks has a unique musical power. With a blending of folk, blues, jazz, and classical music, it was a complete departure from his previous pop hit, “Brown Eyed Girl” (1967). Widely acclaimed, it has had an enduring impact on both listeners and other musicians. "He didn't use the phrase for a song title until a year later, but 'Astral Weeks' was the album on which Van Morrison fully descended 'into the mystic.' The Moody Blues – In Search Of The Lost Chord. Astral Weeks is generally considered one of the best albums in pop music history, but for all that renown, it is anything but an archetypal rock & roll album. Astral Weeks is generally considered one of the best albums in pop music history, but for all that renown, it is anything but an archetypal rock & roll album. We use cookies to ensure that we give you the best experience on our website. 00:00 “Astral Weeks” 07:03 “Beside You” 12:16 “Sweet Thing” 16:38 “Cyprus Avenue” 23:34 “The Way Young Lovers Do” 26:45 “Madame George” 36:20 “Ballerina” 43:19 “Slim Slow Slider” Licence YouTube standard If his pop hit "Brown-Eyed Girl" was the first place he explored the "previous" -- i.e., the depths of his memory -- for inspiration and direction, he immerses himself in it here. He fully enters the mystic here, more in the moment than he ever would be again in a recording studio. The 1995 Mojo list of the 100 Best Albums ranked it as number two, and it ranked nineteenth on Rolling Stone magazine’s list of The 500 Greatest Albums of All Time in 2003. Morrison's songs are an instinctive, organic mixture of Celtic folk, blues, and jazz. Powered by WordPress & MarsTheme. It received critical acclaim immediately upon its first release and subsequently has been placed on numerous widely circulated lists of best albums of all time. In 1987, as part of their 20th anniversary, Rolling Stone magazine ranked it number seven on “The 100 Best Albums of the Last Twenty Years”. The freewheeling, loose feel adds to the intimacy and immediacy in the songs. Van Morrison plays acoustic guitar and sings in his elastic, bluesy, soulful voice, accompanied by crack group of jazz studio players: guitarist Jay Berliner, upright bassist Richard Davis, Modern Jazz Quartet drummer Connie Kay, vibraphonist Warren Smith and soprano saxophonist John Payne (also credited on flute, though that's debatable -- some claim an anonymous flutist provided those parts).

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