Letts said his understanding of the demands placed on a producer stemmed from his appearances in early Sunday evening serials, such as The Black Arrow (1958) and the second world war drama The Silver Sword (1957). His production of "Jane Eyre" starring Timothy Dalton and Zelah Clarke was nominated for a BAFTA award. However, in his memoir Who and Me, Letts related how he naively used matte boxes to allow Troughton to act face to face with himself, when in fact optical printing was already available and the same could have been accomplished in post-production.
show=DW type=episode doctor=Christopher Eccleston (Ninth Doctor) companion=Billie Piper (Rose Tyler) guests= *Camille Coduri – Jackie Tyler *Shaun… … Wikipedia, We are using cookies for the best presentation of our site. *imdb name|id=0504818|name=Barry Letts* [http://www.bbc.co.uk/doctorwho/news/cult/news/drwho/2004/01/01/13727.shtml Barry Letts, BBC Doctor Who interview], Barry Letts — (* 26. For the first instalment Time Lord Regeneration and Resurrection (Part One) click here. By the early 1960s, Letts had begun writing episodes of series, including Dr Finlay's Casebook, and he took the BBC's directors' course in 1966. BBC.co.uk website interview with Barry Letts, 01 January 2004, https://tardis.fandom.com/wiki/Barry_Letts?oldid=3023827. The BBC agreed to this and Letts directed several "Doctor Who" stories during his period as producer: "Terror of the Autons", "Carnival of Monsters", "Planet of the Spiders" and the remaining studio scenes of "Inferno" after Douglas Camfield had been taken ill. He was the only producer of Doctor Who to also serve as a director. Other clues in the story are found in the name of the metaphysical serpent (or demon) that Tegan encounters called the Mara. Alongside A Tale of Two Cities (1980) and Sense and Sensibility (1981), there were less frequently televised works such as Rudyard Kipling's Stalky & Co (1982) and Walter Scott's The Talisman (1981). [6] Letts was a Buddhist and also held liberal political views. He was associated with "Doctor Who" for many years, with active involvement in the television programme from 1968 to 1981, and later contributions to its spin-offs in other media. This page was last edited on 30 January 2015, at 04:25. Barry Letts, who has died aged 84, had a career in television spanning five decades during which he was an actor, writer, producer and director.
Barry Letts is a Buddhist, and this has influenced several of his contributions to "Doctor Who". He died shortly before the convention and as a small tribute the end credits of the recently recoloured Planet of the Daleks Part Three, shown at the event, were changed to end with an 'In Memory of Barry Letts 1925-2009' caption. His influence ran deeper than the average producer of "classic" Doctor Who, as evidenced by his wide-ranging credits. However, he died on 9 October after a long battle with cancer. An encounter with the Alan Watts book Psychotherapy East and West spurred Letts's fascination with Zen Buddhism and his innate liberalism influenced his approach to the series. 059 – The Dæmons Doctor Who serial Azal stuns the men holding Jo. It was an era of substantial change for Doctor Who, with episodes broadcast in colour for the first time and an improved budget which enabled more location filming and action sequences than had previously been possible.
When he was offered the chance to become producer on the series, Letts made it a condition that he be allowed to also continue to direct.
One of Letts' final tasks as producer was to cast Tom Baker as the Fourth Doctor. Cover of Tom Baker s reading of State of Decay, the first commercial Doctor Who audiobook. Last time (see Part One) I drew attention to Time Lord regeneration and mentioned that it can be understood as an analogy for resurrection from the dead. Spunky and intuitive reporter Sarah Jane Smith (Elisabeth Sladen) reflected the rise of the feminist movement, and proved so popular that over thirty years later she is about to embark upon a third series of her own spin-off adventures on Children's BBC. A couple of years ago I stumbled across a web-chat about Doctor Who. Barry Letts formed a particular partnership with two other contributors to the programme: Terrance Dicks, who was the script editor on the programme at that time; and Robert Sloman, with whom he contributed four stories to the Pertwee era: "The Daemons" (credited as Guy Leopold); "The Time Monster" ; "The Green Death" ; and "Planet of the Spiders", which was Pertwee's swansong. He was sometimes seen on DVDs of serials in which he had no formal role, as when he was part of a general retrospective on Sarah Jane for The Hand of Fear. He indicated (see the DVD) that for the last Jon Pertwee story, Planet of the Spiders, that he offered a bit of a mish-mash of Tibetan Buddhist and Zen ideas. There was a chat thread involving excited shop-talk among some fans who identified Christian themes in the post-2005 series.
The following written text in this blog-post Time Lord Regeneration and Resurrection (Part Two) is Copyright © 2012 Philip Johnson.
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