There are hosts and former hosts, like Bill O’Reilly (Kevin Dorff), Bret Baier (Michael Buie), Chris Wallace (Marc Evan Jackson), Greta Van Susteren (Anne Ramsay), Abby Huntsman (Ashley Greene), Ainsley Earhardt (Alice Eve), and Judge Jeanine Pirro (Alanna Ubach). Theron’s Kelly and Kidman’s Carlson are at distinctly different spots on the career spectrum, with Kelly at the red-hot center of things and Carlson perhaps moving past her peak. Some of the performances are startlingly dead-on, like Alanna Ubach’s Jeanine Pirro and Allison Janney’s Susan Estrich. Funny, sharp, one of the best of the year. As late as December 2019, commentators at the network will still be filing sexual harassment claims. A retelling of the Fox News sexual harassment case avoids inconvenient political truths But don’t forget that it’s July 2016. “Bombshell” tries to encompass all of that for context, and it does so with an intermittent, quasi-documentary style that doesn’t always work. Lithgow is memorably disgusting and predatory as the ultimate bad news boss as far as women were concerned. Then there’s the figure whose appearance onscreen earned the dubious distinction of prompting the most laughter at my screening, Rudy Giuliani (Richard Kind). The end credits roll as Regina Spektor sings: Bet you never thought your soldiers could undo ya, now did you?But to tip the score it sometimes takes just oneOne little soldierTalking to the othersOne little soldierRunning through your tower. And then he died less than a year later. Charlize Theron, Nicole Kidman, and Margot Robbie pack a punch in this real-life story of how the women of Fox News brought down the network’s predatory CEO, Charlize Theron, Nicole Kidman, and Margot Robbie in 'Bombshell.'. Jess Carr (a sly Kate McKinnon), a lesbian producer, swallows her pride and her sense of identity in order to stay employed. The actors throw themselves into their roles with terrific zeal, enlivened by the often blunt dialogue and the issues at stake.
In This Article: This glossy portrayal of Ailes’s downfall secured Oscar nominations last week for Charlize Theron, as anchor Megyn Kelly, and Margot Robbie, as fictionalised “evangelical millennial” news producer Kayla Pospisil. Director Jay Roach (who made the Austin Powers movies and the Meet the Parents movies, as well as the assiduously bland or outright terrible political films like Game Change and Trumbo) isn’t concerned; he’s said that with Bombshell, he was trying to make a movie about a nonpartisan issue. For its first half-hour or so, Bombshell feels like it might be a smug but darkly clever satirical romp. Instead of confronting this tension, it pats itself on the back, ending with a title card that celebrates how these women “got the Murdochs to put the rights of women above profits, however temporarily”.
The US should too. Three extraordinary actors, directed with artful purpose by Jay Roach (HBO’s Recount, Game Change and All the Way) from a slashing script by Charles Randolph (The Big Short), make Bombshell an explosive piece of entertainment that also means to make a difference. Bombshell is a 2019 American drama film directed by Jay Roach and written by Charles Randolph.The film stars Charlize Theron, Nicole Kidman, and Margot Robbie, and is based upon the accounts of the women at Fox News who set out to expose CEO Roger Ailes for sexual harassment.Actors John Lithgow, Kate McKinnon, Connie Britton, Malcolm McDowell, and Allison Janney appear in supporting roles. The level of naiveté required to cap off a story like Bombshell’s with an inspiring, “Women rule!” pop anthem is unfathomable to me. Kate McKinnon delivers some strong moments as a young producer, although a bedroom scene she shares with Kayla isn’t well prepared for, its intimacy out of sync with anything else in the film. The three women go through grueling personal trials and tests of strength in the very compressed period of time, all emerging stronger than they were before — even if the struggle might not have anything they would have willingly chosen to take on. But Bombshell rightly gives women pride of place in the gladiatorial arena. Because nobody wants to chop down a tree that grows gold. But it also doesn’t try to be fair and balanced, to borrow the network’s slogan—and its incisive point of view is one of the film’s many great strengths. Music: Theodore Shapiro
Ailes comes off as a guy who sexually harasses people because he feels bad about his body, which just makes him a pitiable figure. And Robbie, standing in for so many people who felt that taking the abuse was the only way to keep a job, cuts to the core of why women are mad as hell and not going to take it anymore.
Bombshell benefits from a terrific cast and a worthy subject, but its impact is muffled by a frustrating inability to go deeper than the sensationalistic surface. This content is currently not available in your region. A smart, snappy depiction of the Fox News ogre getting his comeuppance. The ever-magnetic Robbie gets a dramatic arc to play, going from wide-eyed true believer (“I see myself as an influencer in the Jesus space,” she says with total sincerity while pitching herself for a position) to disillusioned whistle-blower. Send us a tip using our anonymous form. Bombshell doesn’t offer a deep or profound analysis of modern television, corporate doings or exploitative behind-closed-doors practices that have been going on since the beginning of time. Director: Jay Roach My first time shopping with bombshell sportswear and it’s probably one of the easiest reviews I’ve ever had to write. We rely on readers like you to uphold a free press. In July 2016, the disgraced former head of Fox News — played by an extremely jowly John Lithgow in the film — was abruptly ousted from his job after several women at the network accused him of sexual harassment.
And the hemlines can never be too short: As Ailes himself repeatedly insists, this is a visual medium. Read … The third blonde at the top of the ticket doesn’t resemble anyone but Margot Robbie, but she has the excuse of playing a composite character, a gorgeous, naïve newcomer named Kayla, who before long suffers the misfortune of attracting the attention of Ailes. Terms of Use | Trump himself doesn’t figure personally in the events of Bombshell and the election is still four months off. Roach and Randolph use this energy and malign intent, which passes down from Ailes — or Jabba the Hut, as he’s called — to the film’s considerable benefit. When they first experience sexual harassment, Gretchen and Megyn both go through the proper channels to report Ailes’ inappropriate behavior. But Roach, working from a script by Charles Randolph, finds a tricky balance of portraying these events with a sprightly tone while crafting a steadily building tension. Randolph is the Oscar-winning co-writer of “The Big Short,” which got its arms around the complicated topic of the 2008 recession by presenting it in amusingly inspired and easy-to-understand ways.
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