CBS mounted a new production in 1965, with Richard Rodgers as Executive Producer and written by Joseph Schrank.
The stereo version was later reissued on CD by Sony.
– Topher, Sebastian, Lord Pinkleton, Knights and Pages, "The Prince Is Giving a Ball" – Lord Pinkleton, Townspeople, Madame, Charlotte, Gabrielle, Ella and Marie, "In My Own Little Corner" (reprise) / "Fol-De-Rol" – Ella and Marie, "Impossible/It's Possible" – Marie and Ella, "Gavotte" – Sebastian, Topher, Lord Pinkleton, Madame, Charlotte, Gabrielle and Lords & Ladies of the Court, "Ten Minutes Ago" (reprise) – Topher, Ella and Lords & Ladies of the Court, "Stepsister's Lament" – Charlotte and Ladies of the Court, "The Pursuit" – Topher, Lord Pinkleton, Lords of the Court, Pages, Ella, the Footman and the Driver, "When You're Driving Through the Moonlight" – Ella, Madame, Charlotte and Gabrielle, "A Lovely Night" – Ella, Madame, Charlotte and Gabrielle, "A Lovely Night" (reprise) – Ella and Gabrielle, "Loneliness of Evening" – Topher and Ella, "Announcing the Banquet" – Sebastian, Lord Pinkleton, Heralds and Madame, "Now Is the Time" (reprise) – Jean-Michel and Gabrielle, "Do I Love You Because You're Beautiful?"
Crazy Marie jokes with Ella about how life could be better ("In My Own Little Corner" (reprise) / "Fol-De-Rol"). One of the royal guards tries the slipper on all the women of the kingdom ("The Search").
[35][36] Mark Brokaw directed the production, with Josh Rhodes choreographing, and the cast included Laura Osnes in the title role, Santino Fontana as the Prince, Victoria Clark as crazy Marie/the Fairy Godmother, Harriet Harris as Ella's stepmother, Peter Bartlett as the Prime Minister, Ann Harada and Marla Mindelle as stepsisters Charlotte and Gabrielle, and Greg Hildreth as Jean-Michel. Topher is now ready to be a leader and knows the partner he needs in love and life ("Do I Love You Because You're Beautiful").
They leave Ella behind, but Jean-Michel arrives to argue that Prince Topher needs to know more about the people of his kingdom. Disguised as a peasant, the Prince (feeling isolated in the castle) wanders in the marketplace (worrying his herald, Lionel), meets Cinderella, and they find each other charming. [3] Hammerstein was interviewed by the Saturday Review about the adaptation: "We want the kids who see it to recognize the story they know. [11], The original 1957 broadcast was directed by Nelson with choreography by Lucas and musical direction by Antonini. "[44] Richard Zoglin, writing for Time magazine, noted that the new production is "brightly colored, high spirited and well sung", but comparing it with the "emotionally alive" 1957 broadcast, he found the original stepsisters to be "more credible and less cartoonish than their present-day equivalents" and thought that the Prince and Cinderella "make a dreamier pair – you actually can believe they are falling in love. However, Madame catches them and also sees Ella in Gabrielle's dress. The Prince is bored by the attention of all the young ladies with whom he has had to dance, including the stepsisters. ", "Now Is the Time", "The Pursuit", "Loneliness of Evening" and "There's Music in You".[40]. [52], Cinderella (Rodgers and Hammerstein musical), Tony Award for Best Costume Design in a Musical, Best Performance by a Leading Actor in a Musical, Best Performance by a Leading Actress in a Musical, Best Performance by a Featured Actress in a Musical, "Chapter V – They Called Them Spectaculars", "Cinderella Provides Excellent Christmas Entertainment", "Being Stepmom Is Real Drag for Everett Quinton in 2000-2001 'Cinderella' Tour", "It's Possible!
The story concerns a young woman forced into a life of servitude by her cruel stepmother and self-centered stepsisters, who dreams of a better life. [2], Reviews for the Broadway version were mixed.
The story concerns a young woman forced into a life of servitude by her cruel stepmother and self-centered stepsisters, who dreams of a better life. [5] Stage versions began to appear in U.S. theatres by 1961. [21] The show's initial reviews were mixed. One reviewer wrote: "Grade: A, a version both timely and timeless.
"[36] An Associated Press review praised Beane's script and wrote that it "crackles with sweetness and freshness, combining a little "Monty Python's Spamalot" with some "Les Misérables".
Meeting her gaze, the Prince recognizes her and places the slipper on her foot. Richard Rodgers had previously supplied the Emmy Award-winning score for Victory at Sea, a documentary series about World War II.
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