For the Royal Shakespeare Company: A Midsummer Night’s Dream, The Comedy of Errors, The Way of the World, As You Like It, Once in a Lifetime and The Boy Friend. Before Lynne, dance often seemed a pleasant afterthought to homegrown shows. News of the passing of the legendary dancer and choreographer came from her husband, Peter Land. Cats continues to be produced worldwide Gillian’s 50-plus Broadway and West End shows include: Tonight at 8.30, Love on the Dole, The Match Girls, TomFoolery, Jeeves Takes Charge, Cabaret, The Roar of the Greasepaint, Pickwick, The Card, Phil The Fluter, Hans Christian Andersen, My Fair Lady, Songbook, The Phantom of the Opera and Chitty Chitty Bang Bang. Lynne developed her skills in later Lloyd Webber musicals such as The Phantom of the Opera and Aspects of Love. Gillian’s most recent productions include the staging of a special gala in New York to celebrate The Phantom of the Opera overtaking Cats as the longest-running show on Broadway and Phantom – the Las Vegas Spectacular. She made her Broadway debut choreographing the musical comedy The Roar of the Greasepaint - The Smell of the Crowd in 1965 and Pickwick later that year. All rights reserved. Gillian was awarded the CBE in 1997. At just 20 years old, she earned her first major solo on the company’s presentation of Sleeping Beauty at the Royal Opera House. Born Gillian Barbara Pyrke in Bromley, Kent, February 20, 1926, the British Lynne began her career as a ballerina. The founding member of The Four Seasons died September 21 at 92. Her achievement was to make it a driving force. She worked on … Dame Gillian Barbara Lynne, DBE (née Pyrke; 20 February 1926 – 1 July 2018) was an English ballerina, dancer, choreographer, actress, and theatre-television director, noted for her theatre choreography associated with two of the longest-running shows in Broadway history, Cats and The Phantom of the Opera. The show’s teething troubles are well documented but what made Cats a landmark musical in 1981 was that the dance grew out of the situation – a midnight convention of felines – and propelled the action. She came into a world where dance often seemed like an irrelevant interlude and, through her theatrical skill and tireless industry, turned it into something integral to the musical form. Helping humans to inhabit the lives of cats based on T.S. Last modified on Thu 26 Mar 2020 12.31 GMT. She joined Sadler’s Wells Ballet, now known today as the Royal Ballet, during World War II. Choreographers such as Agnes de Mille and Bob Fosse had made dance central to American musicals. Gillian’s opera productions include the direction of Bluebeard, The Trojans, The Midsummer Marriage, The Flying Dutchman and Parsifal. It is good that she lived long enough to see the New London theatre – the original home of Cats, of which she was a vital creative part – renamed in her honour. The writer also worked as a theatre and television critic. Choreographer Gillian Lynne passed away July 1, 2018, at the age of 92, according to her husband Peter Land, who tweeted the news from her account. Among Gillian’s ballets are Breakaway, Lippizaner, The Brontes and Journey for the Bolshoi. A recipient of the Special Lifetime Achievement Olivier Award in 2013, Lynne was also named a Commander of the Order of the British Empire in 1997 and then Dame Commander of the British Empire in 2014. The performer appeared in both the original and revival Broadway productions of, Mr. Schisgal was Tony-nominated in 1965 for his absurdist comedy, The performer appeared in the 2003 revival of, The late Australian singer, whose single "I Am Woman" became an anthem for the feminist movement, made her Broadway bow in 1995 in. Lynne developed her skills in later Lloyd Webber musicals such as The Phantom of the Opera and Aspects of Love. Eliot poetry, Lynne earned her first Tony nomination. She joined the Sadler’s Wells Ballet (later to become the Royal Ballet) during the second world war and went on to dance the Black Queen in Checkmate and the Queen of the Wilis in Giselle. Lynne is survived by her husband, actor Peter Land. Her dance numbers became an expression of ecstasy and joy, and it was that show that inspired Cameron Mackintosh to engage Nunn and Lynne as co-creators of an improbable musical by Andrew Lloyd Webber, based on TS Eliot’s cat poems.

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