[83] It was decorated with one of the most notable interiors produced by the specialist ornamental plasterwork company of Clark and Fenn.

[29] Careful inspection of the drawing at All Souls' College, Oxford Library shows that it has one pencil inscription: "Play house" [sic], which may have been added by a librarian or by anyone else. (1946), South Pacific (1951) und The King and I (1953). [60], An assassination attempt against King George III took place at the theatre on 15 May 1800. The proscenium arch covered the stage equipment above the stage that included a pair of girondels – large wheels holding many candles used to counteract the light from the footlights. Das Theatre Royal, Drury Lane ist ein Theater an der Drury Lane im Londoner West End.

Active management of the theatre was carried out by several parties during Sheridan's ownership, including himself, his father Thomas, and, from 1788 to 1796 and 1800 to 1802, the popular actor John Philip Kemble. [47], Garrick commissioned Robert Adam and his brother James to renovate the theatre's interior, which they did in 1775. The Theatre Royal, Drury Lane, commonly referred to as Drury Lane is based in the centre of Covent Garden in London and is owned by Andrew Llyoyd Webber.Its original structure dating back to 1660 makes the Drury Lane the oldest theatrical building in the area. The Letters Patent also granted the two companies a shared monopoly on the public performance of legitimate drama in London; this monopoly was challenged in the 18th century by new venues and by a certain slipperiness in the definition of "legitimate drama," but remained legally in place until 1843. "[10] The three galleries formed a semicircle around the floor seats; both the first and second galleries were divided up into boxes. Seit Mitte der 1980er Jahre ist das Haus die Heimat großer Musical-Produktionen wie 42nd Street, Miss Saigon und Oliver!

Drury Lane ist eine zusätzliche Ortsangabe, um das Theater von gleichnamigen Häusern zu unterscheiden. Frozen The Musical. [30] Robert D. Hume of Penn State University explained that use of the drawing "rests almost entirely on the supposition that the so-called "Wren section" at All Souls represents this theatre. The narrow passage from Bridges street to the theatre now became an interior hallway; some theatre office space also went up behind the new facade. The stage is raked at the front, flat at the back, with an extensive counterweight system. Februar 1809 abermals bis auf die Grundmauern abbrannte. The day after the Theatre Royal opened, Pepys attended a performance of Francis Beaumont and John Fletcher's The Humorous Lieutenant. He had grown in stature as a statesman during this time, but troubled finances were to be his undoing. [86] Since 2014[update], it has been owned and managed by LW Theatres, Lloyd Webber's management company. He also created the role of Captain Channel in Douglas Jerrold's melodrama, The Prisoner of War (1842), and of Lord Tresham in Robert Browning's A Blot in the 'Scutcheon (1843). [5][23] In any case, the competition between the King's Company and the Duke's was good for the rebirth and development of English drama. The stage floor included grooves for wings and flats in addition to trap doors in the floor. Fortunately, the theatre was revived and opened again in 1674. Nachdem dieser Bau 1672 abgebrannt war, wurde ein neuer nach Plänen von Christopher Wren errichtet und 1674 eröffnet. The Theatre Royal found itself in the hands of lawyer Christopher Rich for the next 16 years.[39]. It reopened in 1946 with Noël Coward's Pacific 1860. The Theatre Royal Drury Lane is a London West End theatre in Covent Garden, in the City of Westminster.

[78], The house's fortunes rose again under the management of Augustus Harris from 1879. [48], With a series of farewell performances, Garrick left the stage in 1776 and sold his shares in the theatre to the Irish playwright Richard Brinsley Sheridan. [45], The building was Grade I listed in February 1958. [45] Examples include the 1909 play, The Whip, which featured not only a train crash, but also twelve horses recreating the 2,000 Guineas Stakes on an on-stage treadmill. The right of the Lane to present dramatic entertainments dates from the Royal Patent (still in the possession of the theatre) granted by Charles II to Killigrew in 1662. After the eleven-year-long Puritan Interregnum, which had seen the banning of pastimes regarded as frivolous, such as theatre, the English monarchy was restored to the throne with the return of Charles II in 1660. [38], An added difficulty for Killigrew and his sons Thomas and Charles was the political unrest of 1678–1684 with the Popish Plot and the Exclusion Bill crisis distracting potential audiences from things theatrical.

The theatre cost £2,400 and was small compared with the present venue, it would likely fit in the space of the current theatre’s stage. [66], The present Theatre Royal in Drury Lane, designed by Benjamin Dean Wyatt on behalf of the committee led by Whitbread, opened on 10 October 1812 with a production of Hamlet featuring Robert Elliston in the title role. Elaborate metal stage machinery with six bridges (two tilting), described in the Stage Year Book for 1910, survived the 1922 works, and as rare survivals of their genre, they are highly significant. They have gilt capitals carrying an entablature from which a flared and coffered elliptical-arched ceiling springs across to form a deep sounding board. It is one of the 40 theatres featured in the 2012 DVD documentary series Great West End Theatres, presented by Donald Sinden. It has some points of kinship with Manchester Opera House (1912) and, more so, Manchester Palace (1913). A third theatre was designed by Henry Holland and opened on 12 March 1794.

[56] The motivation behind building on such a large scale? Jahrhunderts erlebte das Theater eine Blütezeit mit der Führung von Colley Cibber und seinem späteren Manager und leitendem Schauspieler David Garrick, der auf populäre Darstellerinnen wie Kitty Clive zählte. Box seats, used by the nobility and wealthy gentry, cost 5 shillings; the benches in the pit where some gentry sat, but also critics and scholars, cost 3 shillings; tradesmen and professionals occupied the first gallery with seats costing 2 shillings, while servants and other "ordinary people", as Misson refers to them, occupied the 1 shilling seats of the upper gallery. The building probably measured between 40 and 50 ft (12 and 15 m) wide (the average width of all "Restoration" Theatres) and between 90 and 100 ft (27 and 30 m) long. Seats were not numbered and were offered on a "first come, first served" basis, leading many members of the gentry to send servants to reserve seats well ahead of performances. Any alterations were temporary, however, and all machinery will be re-instated following the end of that particular show's run. In the words of one owner: I was aware of the very popular notion that our theatres ought to be very small; but it appeared to me that if that very popular notion should be suffered to proceed too far it would in every way deteriorate our dramatic performances depriving the proprietors of that revenue which is indispensable to defray the heavy expenses of such a concern. Nach dem Zweiten Weltkrieg fanden in dem Theater zahlreiche West-End-Premieren von Rodgers-und-Hammerstein-Musicals statt: Oklahoma! [100] The appearance of almost any one of the handful of ghosts that are said to frequent the theatre signals good luck for an actor or production. [24][25], The Great Plague of London struck in the summer of 1665, and the Theatre Royal, along with all other public entertainment, was shut down by order of the Crown on 5 June. [57], The "very popular notion that our theatres ought to be very small" proved hard to overcome. Drury Lane shares with Haymarket Theatre Royal the distinction of being entirely pre-Victorian in external appearance (the Lyceum has a pre-Victorian portico). to the decade-long success of Miss Saigon and the premiere of the Sam Mendes-directed Charlie and the Chocolate Factory.
The theatre was closed in 1939 because of the outbreak of the Second World War. [5] Set well back from the broader streets, the theatre was accessed by narrow passages between surrounding buildings.[6]. Proper hamburgers, made to a unique recipe of chuck, brisket & rib cap for maximum flavour. [44] On 2 March 1717 was the premiere of the ballet The Loves of Mars and Venus choreographed by John Weaver, and was the first ballet to be performed in England.
"[64] Already on the shakiest financial ground, Sheridan was ruined entirely by the loss of the building. [1] According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". Davenant's management (with Charles Killigrew) proved brief and disastrous, and by 1693 he was fleeing to the Canary Islands in the wake of embezzlement charges.

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