house of names reviews


And though the children eventually make their way back into the palace halls and mom’s trust, paranoia abounds within every relationship (“a performance that started with smiles and ended with shrieks,” as Electra puts it). HISTORICAL FICTION, by Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed. by Toibin's writing style is extremely straightforward yet still lyrical and pleasant to read. RELEASE DATE: May 9, 2017. by The great background theme is the loss of the epoch of the gods and the incapacity of mortals to own their agency. Colm Toibin is a brilliant writer with great range. Trouble signing in? This page works best with JavaScript. If you think Greek mythology is boring, dull and ancient, think again. Colm Toibin is one of the great writers in English. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress. It also analyzes reviews to verify trustworthiness. The novel is broken into sections focusing on Clytemnestra, Electra, and Orestes, and the novel’s intensity—and to a large degree, its success—depends on who’s doing the talking.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. There's a problem loading this menu right now. A retelling of the Greek tragedy of Agamemnon and Clytemnestra, the book begins with the sacrifice of their daughter … The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. Rather than turning human-sized stories into myths, Tóibín sets out to humanise the myths of the house of Atreus...all this results in a devastatingly human story … We don’t know this maybe-bronze-age, maybe-Homeric world at all, or how its society is supposed to work, and as Orestes wanders ever more confusingly over it, bumping occasionally into Goya-esque scenes of violence, we begin to wonder if Tóibín does either...There are irrigation schemes and settlements and slaves and guards and infinite supplies of food – where do they all come from, and where do they go? Clytemnestra, narrating in the first person, is a captivating and terrifying figure, heartbroken and ruthless in her lust for power. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. But what does one do with Clytemnestra, who is both perpetrator and victim? Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. And then their son, Orestes, and second daughter, Electra exact their own vengeance for the murders. It’s free and takes less than 10 seconds! Reviewed in the United States on May 21, 2019. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming.

The result is a dramatic, intimate chronicle of a family implosion set in unsettling times as gods withdraw from human affairs. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on May 13, 2017. Part of Toibin’s success comes down to the power of his writing: an almost unfaultable combination of artful restraint and wonderfully observed detail. Each of the characters seems to have some cohesion then loses it in the author's attempt to give modern sensibilities or motives. He creates the arresting, hushed scenes for which he’s so well known just as effectively as he whips up murders that compete, pint for spilled pint, with those immortal Greek playwrights.

Even in the penultimate section — when Toibin lets Clytemnestra narrate as a ghost — the reader is left wanting more ... this book, which seems to want to be ferocious and bracing, feels like a competent arm's-length recapitulation. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. ‧ HouseOfNames.com is a retail site for Surname Origin, Last Name Origin, Family Coat of Arms, Family Shields and Family Crests prints. (“The gurgling sound he would make when I cut his throat became my obsession,” she fumes.) BBB A plus rating.. RELIGIOUS FICTION This novel of palace intrigue is inspired by the plays of Aeschylus, Sophocles, and Euripides, focusing on the House of Atreus’ murderous infighting. ...a brilliant and challenging reinvention ... Each generation created its own version of the story, and Tóibín fulfills this ancient expectation by both drawing on and departing from these varied classical sources, inventing fresh episodes that invite new questions ... Tóibín taps into the main vein of Greek tragedy, providing a stunning and intensely satisfying immersion in bloody vengeance that would do Aeschylus proud.

This starts out well, but halfway through, it loses the humanity, grandeur and logic of the original material. This is an extraordinary book, retelling part of the Oresteia through the voices of some of its principals. Clytemnestra is provoked into a homicidal rage toward her husband, King Agamemnon, for sacrificing their daughter Iphigenia to win the Trojan War. Joseph Campbell and James Frazier would be delighted by the story which is a testimony to the enduring relevance and power of mythology. I would recommend the for a book club because the complex characterization would make for a great discussion.

Secure shopping. The book focuses on the real-world concerns, emotions, and actions of the characters, and while the gods are mentioned, they are treated realistically, rather than having supernatural forces coming in to guide and judge the characters (with the exceptions of some ghosts, whose presence is quite welcome). This unexpected pastoral sojourn ends up being one of the few positive representations of family in the novel--but, alas, it is all too short. Categories: If you don't know or like mythology and the classics, then you might do better to go straight to those, and if you do know and like them, then you might very well end up wishing you were just rereading them directly in all their original glory without the interruptive layer of Toibin's earnest and effortful lyrical interpolation. The story as old as the Greeks but as fresh as any modern piece of literature. RELEASE DATE: Oct. 1, 2019. Categories: This reboot of an ancient story is alternately fiery and plodding, but Tóibín plainly grasps the reasons for its timelessness. Colm Toibin can always be counted on for excellent writing and intriguing topics. ‧ This isn’t just a captivating retelling; it’s a creative reanimation of these indelible characters who are still breathing down our necks across the millennia. In a sort of prose fugue, Clytemnestra returns from the afterlife cloaked in an amnesiac shadow and searching for Orestes. House of Names by Colm Tóibín review – Greek myths made human Fang-Yi Sheu in the Martha Graham Dance Company’s Clytemnestra, New York, 2009.

The first chapters were so beautifully written that I reread them just to savor the words, especially her cry that the gods no longer care. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Reviewed in the United States on June 8, 2017. | Magazine Subscribers (How to Find Your Reader Number).

But Orestes’ portion of the tale, narrated in the third person, runs at a low boil of mustier fable-speak despite being packed with themes of protection, vengeance, and self-defense. As readers of. Brit Bennett Wrestles With Identity in New Novel, Brit Bennett on the ‘Wildest Week’ of Her Life. Brit Bennett. Far from the Brooklyn or Ireland of his recent bestsellers, Tóibín explores universal themes of failure, loss, loneliness, and repression. One of the book's most interesting sections is when Orestes escapes with two friends, Leander and Mitros. Reviewed in the United States on June 3, 2017. Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn. Terrific stuff, never gets old. Even though the oral versions of Homer's story took hundreds of years to be written then hundreds more to be turned into the tragedies with which we are familiar, this one falls apart. Tóibín, an enthusiast of classic storytelling, from the Bible (The Testament of Mary, 2012) to Henry James (The Master, 2004), this time takes a crack at Greek mythology.

Reviewed in the United States on January 6, 2020.

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