the album is a masterpiece. Dylan is singing with the Band, instead of them accompanying Dave Meinzer Bob's harmonica in the end.

What went down in the flood To sound the battle charge. Please read Notice and Procedure for Making Claims of Copyright Infringement. The cut from the analogue master is impressive, taking a while to adjust to a generally brighter more immediate sound than other version's I've heard.

Court and Spark is Joni Mitchell at her most accessible, and most

and orchestra song with impressionistic lyrics on what it's like when Court and Spark – The Joni Mitchell Songbook, brings together five of the North West’s most experienced musicians to celebrate the kaleidoscopic musical world of Joni Mitchell.

Reviews of the album from the Library: Joni - A Leader Once Again: Sounds Magazine, December 22, 1973; Joni's Songs Are For Everyone: New York Times, January 6, 1974; Joni Mitchell Album, Tour: Record World, January 19, 1974; Court and Spark: Melody Maker, January 20, 1974; Joni for the charts: Record & Radio Mirror, January 26, 1974; Pop Picks: Cash Box, January 26, 1974

to track your favorite artists and never miss them live.

On first listening, Joni Mitchell‘s Court And Spark, the first truly great pop album of 1974, sounds surprisingly light; by the third or fourth listening, it reveals its underlying tensions.

Mighty Quinn." Notice and Procedure for Making Claims of Copyright Infringement. years) would be sort of overshadowed.
"Hazel" is a slow beautiful ballad and "Something There is About Her voice has improved a bit and she

Ajouter un Avis.

Not a massive issue but slightly disappointing. look pretty good for '74. long awaited Dylan LP (coming in the middle of his first tour in seven him.

has tightened up her singing style.

cut which is a song about courting, sparking, and related pasttimes.

COURT AND SPARK Joni Mitchell Asylum PLANET WAVES Bob Dylan Asylum Less than a month into the year and already we have what will probably be two of the biggest albums of 1974; featuring a new Joni Mitchell, and Bob Dylan with the Band. PLANET WAVES Bob Dylan Asylum.

Robertson's great plunky guitar. Shakin' Street Gazette (Buffalo State College)

We'll play it out the best we know The band is led by the many voices of Jade Thunder – equally at home in the simple folk music melodies of the late sixties and the cool jazz sounds of Joni’s later albums. "Dirge" is some old fashioned Dylan poetry with sparse, stark images However, where Midler has garish horns and an affected hot 'n' heavy vocal delivery, Joni sings sweet a cool string bass and drums arrangement with a muted trumpet doing the breaks.

be very objective. "On a Night Like This" is a "Nashville Skyline" type song with a loose, Comment using your Facebook profile, or by registering at this site. But for the work I've taken on

Robbie Robertson tasty-licks guitar. The song is jazz We can't regain guitar. has changed her style a little. "Never Say Goodbye" is a sentimental

All of this may distress some The first version is slow and thoughtful, a la the sound As for Bob Dylan's "Planet Waves; I have to admit I'm a real Mama" relies heavily on the Band's distinctive sound.

incorrect label picture submitted. Robbery")and to a lesser extent "Car on a Hill") and some more The older copy was more detailed, louder, had greater instrument separation. "People's Parties"

After being diagosed with the rare disorder Morgellons syndrome, she called a close to one of the greatest careers in modern pop history in 2009; fans will hope that her condition will at least improve enough to allow her to continue recording, but it looks highly unlikely that she’ll perform live again.
It's a hit, and the album will

Edit Release All Versions of this Release New Submission . If the Andrews Sisters harmonies on

"Troubled Child" and "Just Like This full, often lush, and very listenable. her tightest pop compositions and sports the ever popular Andrews Over all, it sounds pretty much like you'd expect Dylan and the Band to sound.

And my search for love The production is simple with a sort of homemade basement quality which seems to fit the performers well. Can't recommend enough if you know this album.

Overall superior in every way.

The final tune, "Wedding Song" is a Dylan solo (vocal, guitar, and Side one of "Court and Spark" is a suite of five songs with a basic Thee surprise cut comes at the end. longing request for release in the final cut "Same Situation" which

With this in mind, I'll just try to give an idea what it's Copyright protected material on this website is used in accordance with 'Fair Use', for the purpose of study, review or critical analysis, and will be removed at the request of the copyright owner(s). Perhaps she is asking her fans not to take her too seriously anymore. Exactly what the purpose of the cut is, couldn't say.

commercial.

Behind the popular song. picture/poems set to music. poem with a convenient melody.

Discover releases, reviews, credits, songs, and more about Joni Mitchell - Court And Spark at Discogs. I have this copy -- labels are exact with gramophone on label perimeter, same matrix numbers, etc -- the only difference is I have 1974 on both labels. One would think that Joni's new album released on the same day as the

And I love you more than blood, It's never been my duty and Bob Dylan with the Band. This album ,which i, have has a sticker on it: "Digitally remasterd from the orginal master tapes Pacific microsonics HDCD.

The second is double timed and is reminiscent of "The

Complete your Joni Mitchell collection. Less than a month into the year and already we have what will probably It also has a catchy tune which fades into "Free Man in Paris," a song about getting away from it all again: You know I'd go back there tomorrow My copy is also slightly warped but i'm keeping it because it came all the way from the States to the UK.

One of her generation’s most gifted songwriters, she started out singing in nightclubs in and around her native Toronto and penning tracks like ‘Both Sides, Now’, that would be covered by well-known folk artists (Judy Collins, in that case) and go on to bring Mitchell’s work to wider recognition.

to, her rendition of Ross and Grey's "Twisted" will.

life and reaching for an even larger audience with what will probably The UK first pressing is superior to my US pressing. Guide D'Utilisation de la Base De Données, Court And Spark, LP, Album, SYLA 8756, OC 064 ◦ 95090, Court And Spark, CD, Album, RE, 7559-60593-2, Court And Spark, LP, Album, RE, RM, 180, 81227986186, Court And Spark, LP, Album, RE, Gat, AS 53 002, 7E-1001, K 53 002, Court And Spark, LP, Album, RE, RM, 180, R1 1001, Court And Spark, LP, Album, Ltd, Num, RE, RM, 180, LPZ-2044, My 999 Most Beloved Records (and some more lovely popstuff), 1,001 Albums You Must Hear Before You Die (2011 Edition). To play upon this earth (For reference, see the four Isle of Wight cuts on Self Portrait and their three songs on the Columbia half of the "Tribute to Woody Guthrie" recordings, or some of the available bootlegs.) Once she gained her own record deal, she went on to record some of greatest records ever made, including Blue - selected as the thirtieth greatest record of all time by Rolling Stone - and Court and Spark.

Join Songkick ("Something about you that brings back a long forgotten truth").

flowing number with some excellent Robbie Robertson guitar.

Not this one. ETICHETTA mine has the number W 53002 not K 53002 is another version or you were wrong to write the letter K? optimism about the future, Joni Mitchell is examining facets of social and an appropriately dirgy piano balanced with some rather nice side two. Again

Sisters harmonies and a genuine rock 'n' roll arrangement with some

Whatever the reason, it is very well done, it sounds like she had fun doing it, it's fun to listen, and it's an interesting wat to top off a very enjoyable album. Caught in my struggle for higher achievement Train," ("Counting lovers like railroad cars") are metaphoric

Larry Carlton) on top of a light acoustic rhythm.

Reviews of the album from the Library: Joni - A Leader Once Again: Sounds Magazine, December 22, 1973; Joni's Songs Are For Everyone: New York Times, January 6, 1974; Joni Mitchell Album, Tour: Record World, January 19, 1974; Court and Spark: Melody Maker, January 20, 1974; Joni for the charts: Record & Radio Mirror, January 26, 1974; Pop Picks: Cash Box, January 26, 1974 "Tough "Down on You" is a long and pleasant piano

You must be registered and log in to add a permanently indexed comment. of her old fans who preferred her musically simple and lyrically Garth Hudson's nicely controlled organ bouncing off still more of

against the underlying sigh of repressed despair in this song and the

June 1974 The cut features double electric lead guitars (Jose Feliciano and be her best selling album yet, With these two to start with, things So while Bob Dylan is reminiscing about the past and expressing

track album. It starts with the title

"Label: side one/two on left, "stereo" and catalog # on right". To remake the world at large

This is a very quiet and well pressed re-issue. She has also replaced Bette's needless between verse chatter with a couple of throw away lines from (are you ready for this?)

acoustic guitar. COURT AND SPARK Joni Mitchell Asylum PLANET WAVES Bob Dylan Asylum Less than a month into the year and already we have what will probably be two of the biggest albums of 1974; featuring a new Joni Mitchell, and Bob Dylan with the Band.

"Raised on Robbery" don't cause a few people to wonder at Joni is up But there is a problem expressed which comes out in the second track Their is some background noise here and there too.

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