matrix revolutions soundtrack


Unlike the previous soundtracks for the Wachowski Brothers' sci-fi epic The Matrix, the soundtrack for The Matrix Revolutions, the final installment of the trilogy, largely dispenses with the turgid alt-metal and electronica that pinned the entire franchise squarely in a time slightly before April of 1999. Once again, the collaborations with Juno Reactor are a highlight, with the end titles track 'Navras' being an amazing remix of the super burly brawl theme presented in 'Neodammerung', speaking of which, this piece harkens back to the good old power-choir days of Carl Orff's 'O Fortuna' - big, powerful choirs, anvil clunks, super-low piano line and big brass. The biggest drawback is that none of the Matrix films have a memorable main theme, something that is instantly identifiable as the sound of The Matrix. [3], Olympic Games Athens 2004 - Simona Peycheva BUL ribbon final, The Matrix Revolutions OST: Don Davis - Neodammerung (Final Battle) (High Quality), Enter the Matrix: Original Soundtrack from the Videogame, "Matrix Revolutions [Original Motion Picture Soundtrack] - Don Davis", "Various – The Matrix Revolutions: Music From The Motion Picture", https://en.wikipedia.org/w/index.php?title=The_Matrix_Revolutions:_Music_from_the_Motion_Picture&oldid=977844264, Short description is different from Wikidata, Album articles lacking alt text for covers, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, at The Newman Scoring Stage, 20th Century-Fox Studios, "The Road to Sourceville" by Don Davis – 1:25, "Saw Bitch Workhorse" by Don Davis – 3:59, "Spirit of the Universe" by Don Davis – 4:51, This page was last edited on 11 September 2020, at 09:10. The Matrix Revolutions: Music from the Motion Picture is a 2003 soundtrack album from the film, The Matrix Revolutions. The Matrix Revolutions: Music from the Motion Picture is a 2003 soundtrack album from the film, The Matrix Revolutions. referencing The Matrix Revolutions: Music From The Motion Picture, CD, Enh, 9362484122 This is how the Reloaded album should have been released - as a single disc of the score only. The Matrix Revolutions soundtrack full music list with detailed info, questions and reviews. Poor pressing quality on my copy. The music reaches an epic scale on this one, and there's plenty of resolution and culmination of themes and ideas set up in the first two movies. Since the album itself follows the plot line of the film, it has momentum of its own, building in drama and effect as it builds toward the climatic superbrawl between Neo and Agent Smith. The Matrix Revolutions: Music From The Motion Picture, Orchestrated By, Written-By, Composed By, Conductor, The Matrix Revolutions (Music From The Motion Picture), The Matrix Revolutions: The Complete Score, The Matrix Revolutions: Music From The Motion Picture, 2xLP, RE, 093624898191, The Matrix Revolutions: Music From The Motion Picture, CD, Enh, 9362484122. Instead, it concentrates on the score that Don Davis wrote for the film, punctuating it with three collaborations with electronica group Juno Reactor and a cut by Pale 3, an electronica outfit that did the soundtrack to The Princess & the Warrior, Tom Tykwer's follow-up to Run Lola Run. Track listing. tunefind The Matrix Revolutions Main Title" by Don Davis – 1:21 "The Trainman Cometh" by Juno Reactor/Don Davis – 2:43 All this means is that the soundtrack is an actual soundtrack, collecting the music from the movies, instead of being a collection of songs "inspired" by the movie, as the last two Matrix albums were. This is how the Reloaded album should have been released - as a single disc of the score only. The music reaches an epic scale on this one, and there's plenty of resolution and culmination of themes and ideas set up in the first two movies. If you're into film scores at all, this is just as important to your collection as Howard Shore's 'Lord of the Rings'. Lots of backround noises which bothers me especially in the quiet parts. This makes for effective listening, even if the musical motifs, particularly the dissonant triplets, get a little repetitive by the end. Find all 16 songs in The Matrix Revolutions Soundtrack, with scene descriptions. The Trainman Cometh (composed with Ben Watkins), In My Head (for the film Matrix Revolutions), Tom Tykwer / Johnny Klimek / Reinhold Heil, The Newman Scoring Stage, Twentieth Century Fox. Nevertheless, it's a good souvenir soundtrack, and one that's easier to digest than the moribund metal that weighed down the first two Matrix soundtracks. [2], The track "Navras" was used by rhythmic gymnasts Simona Peycheva of Bulgaria and Penelope Blackmore of Australia in their respective ribbon routines at the 2004 Athens Olympic Games. Instead, Davis relies on lots of sonic textures -- string glissandos, stabbing brass, ominous bass, clanking dissonance, cacophonous triplets, lots of sudden swells of intensity and instant release -- that underpin the emotion and action of particular scenes. The Matrix Revolutions soundtrack from 2003, composed by Don Davis. Released by Maverick in 2003 containing music from The Matrix Revolutions (2003). Listen to trailer music, OST, original score, and the full list of popular songs in the film. Matrix Revolutions OST downloads (19478 views) Diablo - Wednesday, November 12, 2003, at 4:20 a.m. Re: Matrix Revolutions downloads (7794 views) WindCloud - Sunday, October 5, 2003, at 8:12 p.m. Re: Matrix Revolutions downloads (8487 views) Joe Kozachek - Friday, October 31, 2003, at 12:05 p.m. Re: Matrix Revolutions downloads (5883 views) In fact, everything about this score is big. The Matrix Revolutions songs tracklist, listen to audio used in movie or tv show or help visitors. Unlike the previous soundtracks for the Wachowski Brothers' sci-fi epic The Matrix, the soundtrack for The Matrix Revolutions, the final installment of the trilogy, largely dispenses with the turgid alt-metal and electronica that pinned the entire franchise squarely in a time slightly before April of 1999. This is a benefit, since it helps capture the operatic scale of the film, and it works well as an isolated score.

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