Besides the Lord’s room, there were other balconies called the “Gentlemen’s room” which charged 4 pence for a seat. Actors used all kinds of instruments like trumpets, drums, viol, bandore or a cithern to create music and sound of rain or thunder. Above the stage wall was a balcony called the “Juliet’s Balcony” which were used by actors or by the rich called the “Lord’s Room”. The fact that both of these shareholders belonged to Shakespeare's company may indicate that the re-organization of the Curtain occurred when the Lord Chamberlain's Men were acting there. Surrey was also the first English poet to publish work in blank verse. Audiences were mainly travelers who had to pay a fee for the shows. The theatre was an expanding industry during the Elizabethan era. Henry Howard, The Earl of Surrey, and the oldest out of the five most popular poets of the period, paved the way for the rest of them. Chamberlain’s Men were known as the “Hunsdon’s Men” until 1585 and were the most important acting company. The dimensions varied from 20 to 45 feet in width to 15 to 30 feet in depth. Surrey formatted the English sonnet, which then became a favorite writing style for Shakespeare. There is no evidence that the Red Lion continued beyond the summer of 1567, although the law suit, from which we know much of the little we know of it, dragged on until 1578. He wrote for the Admiral’s Men that performed at the Rose theatre. Edward Alleyn was Philip Henslowe's son-in-law from marriage to his daughter in 1594. The Renaissance didn’t thrive in Britain until 1485. The original is lost, but a copy by Arendt van Buchell survives, and is the only sketch of an Elizabethan playhouse known to exist. One like the unfrequented Theatre Before merging with the Earl of Leicester’s Men, Lord Strange’s Men toured provinces. The content of Elizabethan Era is free but solely for educational purposes. No remains of The Theatre survive. The theatres could accommodate around 1500 to 3000 audiences and wooden benches were lined up in three rows with increasing numbers towards the back to match the shape of the theatre.
The Theatre was rapidly followed by the nearby Curtain Theatre (1577), the Rose (1587), the Swan (1595), the Globe (1599), the Fortune (1600), and the Red Bull (1604).
A useful Elizabethan London Map has been provided in the Elizabethan Theatre section in which all of the famous Elizabethan theatres have been highlighted. The very first theater and the development of the amphitheatre. Women were not allowed on the stage - boy actors played the parts of women and wore some very uncomfortable costumes and life threatening make-up.. Everyone has heard of William Shakespeare but who were the other Elizabethan actors? It was the venue of several of Shakespeare's plays, including Romeo and Juliet (which gained "Curtain plaudits") and Henry V. In this latter play the somewhat undistinguished Curtain gains immortal fame by being described by Shakespeare as "this wooden O." From 1576 to 1579, The Admiral’s Men were considered to be the finest Elizabethan acting troupe. Lacking a permanent venue and facing legal action Worcester's men remained at the Rose until the end of 1605. The Red Lion The Theatre opened in the autumn of 1576, possibly as a venue for Leicester's Men, the acting company of Robert Dudley, 1st Earl of Leicester of which James Burbage was a member. Johannes De Witt, a Dutchman who visited London around 1596, left a description of the Swan in his Observationes Londiniensis. All of the heroes in Marlowe’s writing crave power, and their downfall is ultimately caused by the pursuit of that power. The Rose was the first of several theatres to be situated in Bankside, Southwark near the south shore of the River Thames. Elizabethan theatres were greatly influenced by Greek and Roman architecture and they were called Amphitheaters. The Rose was built in 1587 by Philip Henslowe and by a grocer named John Cholmley. The Lord Chamberlain's Men departed the Curtain when the Globe, which they built to replace the Theatre, was ready for use (1599). The Rose had a raised stage at one end which was surrounded by three tiers of roofed galleries with balconies overlooking the back of the stage.
Jonson loved to read the classics and so they were his greatest inspirations and influence for his own work. Food and drinks were also served in the theatres. Additional information is available about each of the 12 Amphitheatres, 8 Playhouses and 6 Inn-yards via the Elizabethan Theatres link. Shakespeare most likely spend the vast majority of his time apart from his wife and family working as an actor in and around London. The purpose built Elizabethan Amphitheatres in London such as the Rose were used during the summer months and transferred to the indoor playhouses during the winter. Henslowe, an important man of the day, had many impressive titles, including Groom of the Chamber to Queen Elizabeth from the early 1590s, Gentleman Sewer to James I from 1603, and churchwarden and elected vestryman for St. Saviour's Parish from 1608. The other theatres were known as the Swan, the Rose and the Hope. The seating surrounded the three sides of the stage. The inn-yards were surrounded by balconies with rooms. The design of The Theatre was possibly adapted from the inn-yards that had served as playing spaces for actors and/or bear baiting pits.
From the focus of humanism on to the focus of eternal fame in Shakespeare to that of blank verse with Marlowe, there is much to learn through the Evolution of Renaissance in the Elizabethan Theater.
The stage was surrounded on three sides by the audiences.
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