Front section: It appears, from having read earlier reviews, that she has grown quickly into the role. N47 and 48 are over to the side, therefore you miss some small bits of the show, and the back of the stage is hidden a bit, but you still get to see pretty much the whole show and are so close to the stage. I don't know what he was like when he first started out, but he still needs to improve a lot. Helen Dallimore is wonderfully funny and Adam Garcia is also very good. The sound is a tad low back in Row S and you don't get the full OOMPHH of 'Defying Gravity.' Some of the stage entrances were missed but that was all. Pimlico, The twist is between 8am and 9.50am, Person B was joined 5 other friends, each arriving one at a time with the last arriving at about 9.50am. Sound was pretty good, better than expected after reading the reviews. Really enjoyed the show – certainly full of special effects and costumes and set were great.

The best seat they could offer me was seat 18 in Row A of the Circle. Individual voices were mostly okay but as soon as more than one person sang it was hard to follow lyrics. We sat behind four young women who gave the impression they didn't really want to be there. I took my 10-year-old daughter and she thought they were the best seats we’d ever had! Luckily a girl was sitting in front of me so I didn't have to lean to the sides to see the action. She does sing beautifully and has a powerful voice (her lungs must be made of steel). Rows M and N: £39 It's so fantastic that it's a difficult show to beat! Sat in the Stalls Row C seats 12 and 13. They all worked so well. Songs and characters that used to seem so unimportant start to come alive and you become sucked into the hugely moving story of this girl and the 3D world in which she lives. Having sat in many other places in this theatre and the sound was good, the sound was not balanced here. Well that wasn't very good either. _______________________, I couldn't attend the 'Clients evening' (performance for group bookings clients - ed) on 13th of September 2006 as we were away, so my daughter and grand-daughter went instead. My friend thoroughly enjoyed the show but I'm not sure if I will go again now. Whilst it is great to have a much closer view of the stage people should be aware that at the side block (we sat in D38 and D39) there is a quite high horizontal bar on the front of the Circle that I found slightly irritating because I found myself having to look under it to see the actors when they were on the very front sections of the stage that jut out. I got seats in the Stalls, M44 and 45 - they were an absolute bargain at £20! Stalls:  Miriam Margolyes, as everybody pointed out, was brilliant. It was a full house and we were sat in row T 24 and 25 which were really good seats - and no pumpkin head in front of me this time. Helen Dallimore as Glinda was good - managed to hit those high notes beautifully, although her speaking accent was a bit wobbly and inconsitant at times.

Front row is great but make sure you try to get seats 16 to 25 as a lot of the action takes place here.

This use to be my favourite area to sit in as it is amazingly priced for £25 when the seats nearby are £60. London SW1V 1LG The show remains 'wicked' in every way! Lee Meed, it has to be said, caused a lot of giggles and whoops from female and some male audience members when he came on - I would imagine due to the tightness and, how can I put it, outline of his jodhpurs. The staging is extraordinary in its lavishness and in how the setting becomes the focus of the show.

As the stage is quite low, you don't have to look up so no neck ache! Maybe he made a joke when he told us about those premium seats. Gregor Stewart was on as Fiyero and he is posher than Oliver! Everyone can identify with Elphaba in some way (even if the majority of us are not green) and for many it really does strike a chord. The story is lovely, in essence very simple, the relationship between the nice good fairy and the horrible wicked one. But yes, you should really go to see it, although my friend said that it was quite too juvenile for his taste. We saw the standby Sarah Earnshaw as Glinda. After doing some research on this website I settled on Stalls, Row Q and was allocated seat 19. Lancaster Standing ovation from mixed aged audience. The theatre is set out in such a way that you could probably see the stage to a decent degree no matter where you sat if you are of average height, but being only 5' tall, I have trouble seeing anything wherever I go. They spent the entire time fidgeting about, talking (which caused a problem as my kids tried to angle themselves to look through the gap of heads, so every time they put their heads together to have a chat, my kids couldn't see), passing sweets backwards and forwards (and no, they didn't pass them to the next person, they passed them to the person furthest away from them) and going to the lavatory. If the above wasn't bad enough, far and away the worst thing about sitting where we were was the almost non-existent sound level of the orchestra.

Sadly not. ___________________________ No criticism of their performances because they were very good- just a personal preference. We all likened the main cast to a very good school production. Eat your heart out 'X Factor' and Mr Cowell!

I know some other people have commented on the sound.

The one real negative point is that there are simply nowhere near enough ladies toilets for the (predominantly female) audience and they are all located on one side of the building – the far side from where we were sitting. Even the old man sat behind me said “(expletive) me darling,,, that was a bit good!”…and then during act 2 she comes along again and caused nuclear meltdown of the whole of Victoria with ‘no good deed’ ….ah ha maybe that’s why the sewers are buggered….some women break glass when they sing,  she breaks concrete!! The sound levels were just about right - the staging and lighting are awesome - if you haven't seen it yet, I really would recommend going to see it ... As a show, there isn't much to compare with Wicked. I really liked the show and there a definitely some wow moments - and I really like Glinda and Fiyero. No problems at all with her Popular. I was waiting and waiting and looking for Elphaba to get on that broomstick and do a Harry Potter but it never happened! The only thing I can think of causing the "limited view" is the occasional people going in and out via the stairs. I look forward to seeing Alex Jessop or George Ure after the cast change, just to see how different they are from him. Some of the very reasons myself and my fiancée fell in love with 'Wicked' so much could genuinely not be heard.

C10 and 11 are OK. Perhaps he was upset we didn't buy something from the wide range of crappy merchandise!

Some of the scenes in this show seemed to serve little or no purpose, whereas others were simply overlong. (although there was a couple of lines at the start of the first scene where she really sounded like Lady Whiteadder - I thought she was going to mention turnips!).

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