Running until July 25Book tickets here! Good Housekeeping participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. innocence is as much Lee’s theme as the rape and racism that disfigure a small The children (Eleanor Worthington-Cox as Scout, Callum Henderson as Jem and Sebastian Clifford as Dill) are played beautifully without any sentimentality, and Robert Sean Leonard's Atticus hints at emotional damage lurking just beneath the closed, squared-jawed decency.
Create a commenting name to join the debate, There are no Independent Premium comments yet - be the first to add your thoughts, There are no comments yet - be the first to add your thoughts. It was her only published novel until now, but with anticipation rising over the forthcoming Go Set A Watchman (which comes out on 14 July), there’s been a renewed surge of interest in the reclusive Lee and her classic novel. the shades of fear and ignorance. The children are at the heart of the book, and these are challenging parts by any standards, but the young performers all capture the drama of the roles – and Timothy Sheader’s sure-footed direction ensures they don’t miss any of the laughs either.
at maintaining this emotional three-way dynamic between community, children and Independent Premium Comments can be posted by members of our membership scheme, Independent Premium. Alabama town in the Depression, scene of Gregory Peck’s Oscar-winning turn as First published on Tue 28 May 2013 18.12 BST. Timothy Sheador's adaptation of Harper Lee's To Kill A Mockingbird at the Regent's Park Open Air theatre, Theatre review: To Kill a Mockingbird, Open Air Theatre, Regent’s, You may not agree with our views, or other users’, but please respond to them respectfully, Swearing, personal abuse, racism, sexism, homophobia and other discriminatory or inciteful language is not acceptable, Do not impersonate other users or reveal private information about third parties, We reserve the right to delete inappropriate posts and ban offending users without notification. More GH events and what's on, Foundations and concealers for flawless skin, The best long sleeve dresses to buy right now. Perhaps the final appearance of the reclusive Boo Radley draws a little too obviously on Edward Scissorhands, but if one measure of a stage adaptation's success is that it sends you scurrying back to read the original novel, then this production scores highly. Jamie Kenna as sheriff-with-a-heart Heck Tate and Geoff Aymer as the loyal Reverend Sykes also give standout performances, but this is very much an ensemble piece, with the cast all watching from the perimeter, manoeuvring the props and even chalking the outlines of the streets and houses on to the stage. Leonard brings gravitas and authority to Finch (perhaps aided by his Gregory Peck-inspired glasses), and is especially impressive in the courtroom scene where the house lights rise to include us all in the jury he addresses with such passionate conviction. Details:
Are you sure you want to mark this comment as inappropriate? reverberation, in modern classics like The Crucible and Lord of the Flies. Tue 28 May 2013 18.12 BST
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known as Hugh Laurie’s sidekick, Dr James Wilson, in the Fox television series, Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium.
Timothy Sheader's canny staging recognizes the way this novel has been woven into the fabric of our lives, and constantly reminds us that books like Mockingbird, are something precious and shared – like theatre itself. Scout’s narrative, and the actors are continuously referring their performances
book. To Kill A Mockingbird has inspired countless readers with its potent mix of deadly bigotry and moral courage in a 1930s small, Southern town, all seen through the eyes of a child. – derided on all sides for “lawing for niggers” -- acquires a rock-like
The current Barbican show is a well-deserved revival of the Regent’s Park Open Air Theatre production. It is a complete world for Scout, for her older brother, Jem, who is teetering on the brink of puberty, and for their odd friend Dill (apparently based on Truman Capote), who lives mostly in his own imagination. In a theatre where Shakespeare has been the summer norm for decades,
At the same time, materialise among the audience, each reading from a different edition of the Want to bookmark your favourite articles and stories to read or reference later? It all sets the tone for a performance that is direct, simple and unshowy.
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courtroom scene, where he’s defending a dignified Tom Robinson (Richie It's a lovely touch, and takes us straight back to childhood.
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Sheader and his team are now finding a Shakespearean dimension, and House, moves deliberately through the The stage is littered with copies, which the cast retrieve and use to read aloud chunks of the text (in English accents) alongside the dialogue, which is performed in by-and-large pretty convincing southern American accents.
This stirring stage revival captures the essence of Harper Lee’s classic novel. London theatre review: To Kill A Mockingbird. You'll love...GH recommended reads Exciting Downton Abbey news! Even on the warmest days, Regent's Park is never going to be a convincing stand-in for the American deep south, but the rustling trees and lengthening shadows create exactly the right sinister atmosphere, and what the show lacks in physical heat it makes up for with heart. Where: Barbican theatre This stirring stage revival captures the essence of Harper Lee’s classic novel. stillness in a ferment of nattering. All rights reserved.
06/07/2015 Want an ad-free experience?Subscribe to Independent Premium. touch throws Sean Leonard’s gravitas into relief, so that his saint-like Finch Atticus Finch in the movie, and now the setting in Regent’s Park for a quiet, For many of us, the tale of Scout's journey from innocence to experience as her lawyer father defends a black man accused of raping a white woman is part of our growing up, too. Some other character roles are perhaps played a little over-zealously, but this is a moving and uplifting show that captures the heart of Harper Lee’s work. By Jane Kemp.
children, played with wide-eyed ingenuity (at the performance I saw) by Izzy In the great Campbell) on a trumped-up rape charge, he shows how the defendant couldn’t have Susan Lawson-Reynolds bustles, chides and guides with a perfect mix of warmth and authority as Calpurnia, the maid who manages the motherless Finch household. one-handed; the left hand is useless, mangled in a cotton gin years ago. Theatre review: To Kill a Mockingbird, Open Air Theatre, Regent’s Park, London Independent culture newsletter The best in film, music, TV & radio straight to your inbox every week Throughout, they share the narrative, helping to make a virtue of Christopher Sergel's authorised but now old-fashioned 1991 adaptation.
true Peck style, even down to the horn-rimmed specs and crumpled white suit. Please be respectful when making a comment and adhere to our Community Guidelines. Christopher Sergel’s stage adaptation has had a long life, too – it’s been performed annually in Lee’s home town of Monroeville, Alabama, since 1990.
throttled his alleged victim from behind by throwing him a glass to catch Beautifully played … Eleanor Worthington-Cox and Robert Sean Leonard in To Kill a Mockingbird at Open Air theatre, London. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. low key.
Find your bookmarks in your Independent Premium section, under my profile. In the opening moments, the performers pop up from within the audience, reading from dog-eared editions of the novel in their natural accents.
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Sheader has assembled a strong cast, led by Robert Sean Leonard, reprising his Regent’s Park role as Atticus Finch, the defence lawyer with an unshakeable moral compass who will do right, cost what it may – and who is also, by-the-by, a dead-eye shot. It’s a moment of The exceptional lighting design by Oliver Fenwick also helps to recreate the sticky, oppressive heat of Southern Summer days and nights. Are you sure you want to delete this comment?
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